Pray For Paris

June 17, 2026 · Hip Hop, Past Due, Reviews
Past Due

Westside Gunn — Pray for Paris (2020)

High art in the form of high crime

In early 2020, Westside Gunn found himself sitting front row at Paris Fashion Week at the personal invitation of Virgil Abloh. For an artist who built his name on the icy, unforgiving streets of Buffalo, New York, it was a surreal triumph. But rather than let the glitz soften his edge, the Flygod absorbed the atmosphere and channeled it into Pray for Paris—an album that didn’t just bridge the gap between street rap and high fashion, but completely obliterated it.

This wasn’t an attempt to cross over into the mainstream; it was an act of pulling the mainstream down into the mud, forcing the luxury world to recognize the raw, undeniable brilliance of the Griselda movement. With its Abloh-designed Caravaggio cover art, the album established Gunn not just as a rapper, but as a visionary auteur.

A Sound of Opulent Grime
The production on Pray for Paris is breathtakingly luxurious, yet unmistakably dangerous. By combining Griselda’s trusted architects like Daringer and Beat Butcha with legendary figures like DJ Premier, The Alchemist, and even Tyler, The Creator, Gunn curated a sonic backdrop of pure velvet. The dusty, drumless loops and haunting soul samples feel like sipping vintage champagne in a dimly lit, bullet-riddled speakeasy.

“It’s the audio equivalent of a Renaissance painting draped in heavy, diamond-encrusted Cuban links.”

Masterful Curation
Westside Gunn is hip-hop’s greatest contemporary A&R, and this project is his ultimate museum exhibition. He conducts a symphony of elite lyricists, letting his brother Conway the Machine and cousin Benny the Butcher devour tracks like “George Bondo,” while seamlessly integrating heavyweights like Freddie Gibbs and Roc Marciano on “$500 Ounces.” Through it all, Gunn’s flamboyant ad-libs and piercing, high-pitched delivery cut through the soul samples with arresting charisma.

Tracks like “327” capture a starry-eyed, atmospheric perfection, while “Allah Sent Me” delivers the grimy, wrestling-referenced boom-bap his core fanbase demands. He balances these two worlds with the steady hand of a master jeweler.

Why It Matters
Pray for Paris is the exact moment Griselda transitioned from an underground phenomenon into an inescapable cultural force. It proved that uncompromising, street-level hip-hop didn’t need to adopt pop sensibilities to be celebrated globally. It legitimized the subgenre they pioneered, proving that raw street tales are just as deserving of fine-art framing as anything hanging in the Louvre.

Final Word
It is a flawless execution of aesthetics, tone, and curation. Pray for Paris is widely considered the magnum opus of Westside Gunn’s sprawling discography—a triumphant, luxurious masterpiece that cemented his legacy as the most stylish kingpin in modern rap history.

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